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The death in 1994 of Kurt Cobain, lead singer of the band Nirvana, had a major impact on the value of grunge souvenirs. "Clothes, instrumentsand souvenirs from the era are few and far between." "Punk was around for a very brief period, and much of the promotional material has been destroyed," explains Mr. The Sex Pistols and the Clash may never have been sustained mainstream successes, but a torn T-shirt with a picture of Queen Elizabeth II and the word "Anarchy" emblazoned on the front - a reference to two Sex Pistols hits, "God Save the Queen" and "Anarchy in the U.K." - can sell for $300 to $400 today Wolffers says: "The more obscure the venue, the higher the sale price." A Springsteen promotional poster from 1974-75 can fetch between $200 and $600, Mr. Souvenirs of Prince, Madonna and Bruce Springsteen are already commanding good prices. pop," according to the Penguin Encyclopedia of Popular Music.Mementos bought for pennies at the height of the fadnow command prices up to £20."Glam rock had an enormous following, and any souvenirs connected to the bands, be they posters, badges, or even scarves, have a price at auction," says Ted Owen, rock, pop and entertainment specialist for the Bonham auction house in London. This mainly British and American phenomenon of the early to mid-1970s produced acts such as Slade, the Sweet and Gary Glitter - "the Liberace of U.K. "Promotional material for '50s soul bands was not produced in the same quantity as it is today," says Jack Wolffers, vice president of entertainment auctions."Consequently, most of the early posters and souvenirs have not survived the passage of time." A soul poster from the '50s could easily fetch $1,000, he said Wolffers, an auction house in San Francisco, has experienced a growth in demand for pop memorabilia from the late 1950s - the era of Chuck Berry, Little Richard and Fats Domino, among others. A signed photograph, for example,is generally more valuable than a signature on a scrap of paper, Ms. Autographs and signatures are always popular, though the value will often depend on what is signed. Souvenirs from the icons of rock 'n' roll - the Doors, Jimi Hendrix, the Rolling Stones, Elvis Presley - continue to attract high bids. Steve Maycock,rock 'n' roll specialist for Sotheby's in London, advises that unless the record is special in some way - signed, or a limited edition- it will probably not be of much interest. In fact, the only Beatles items that do not seem to be worth much are old records that have been out on general release.
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Lennon in Hamburg sold for £23,000 recently. If that sounds high, Carey Wallace, a pop memorabilia specialist for Christie's, says a leather jacket worn by Mr. Christie's has set a reserve price of £18,000 for a tan suede jacket worn by John Lennon on the cover of the album Rubber Soul. A letter written by John Lennon to Paul McCartney sold in the United States recently for $60,000Īn item of clothing from one of the Beatles could also fetch a mind-blowing sum. An item which provides insight into the artists' thoughts will fetch even more. In Europe, the rock and pop memorabilia market is dominated by the Beatles.Anything signed by the group will command a high price, and a set of four Beatles signatures could fetch between $3,000 to $4,500. "It was a hell of a blow.Here is a quick tour of the territory, based on conversations with experts. "I was out for 20 minutes," Daltrey said. "If I'd known what he was into," Daltrey said years later, "I’d have punched his lights out." At the moment of injury, Daltrey wasn't in much of a position to knock anybody out. One day before the big show, Glitter was swinging around a 15-pound microphone stand over his head during rehearsal when he slammed it right into Roger Daltrey's left eye. They fleshed out the band with a ton of musicians, and brought in Gary Glitter for "The Punk and the Godfather." This was one year before the glitter-rock icon was arrested for possessing child pornography, but bringing him on board still proved to be a horrific mistake. Reforming the Who was far from Townshend's mind in 1996 and he originally planned on playing Quadrophenia by himself in Hyde Park, but nerves got the best of him and he rang up Roger Daltrey and Who bassist John Entwistle, who were more than happy to sign on. The Who issuing 'Quadrophenia: Live in London" concert film
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Attendance was so dismal in some markets, they were reduced to giving away free T-shirts to boost ticket sales. The Who hadn't played in seven years at that point, and two years earlier Daltery and John Entwistle launched an American tour where they performed mostly Who classics. Roger Daltrey couldn't have been more excited when Pete Townshend decided to reform the Who in 1996 for a grandiose production of Quadrophenia in London's Hyde Park.